SKINS are fabric prints and weavings of abstract patterns derived from forensic SEM images of skin remains on Korean K-Pop group TVXQ’s stage costumes, inspired by the refrain “Under my Skin” from their 2008 song “Mirotic.”

An installation of black glass objects—shaped from Jeju styrofoam waste with coastal rock textures—displayed on light boxes remodeled from buoys. Looking inside the glass reveals jewelry-like or sea creature forms, transforming oceanic debris into luminous artifacts.

East German mesh shopping bags molded into ceramics and placed on styrofoam buoys form fossil-like sculptures exploring memory, consumption, and material afterlives of everyday objects.

Glass objects, formed from an old wooden floor from Amsterdam-North, preserve fossil-like traces of dwelling and offer a micro-perspective on shifting grounds with fluid substrates.

Mobile photos of urban asphalt from cities where I've lived and worked, machine-knitted into fabrics. Exhibited as folded 'walks' performed by flâneurs or draped on tables/floors, this fluid index oscillates between fashion cloth, archive, and map.

Sculptural fragments from collected DVD/CD drives as "bricks." Discarded devices become fossil-like artifacts in modern ruins—panning imaginary architectures blending ancient ornamentation. The modular sculpture can be rebuilt from provided examples, combined into site-responsive installation groups, or newly configured.

Emptied 16 mm film archive boxes from the Goethe Institute Amsterdam attic form ornamental arrangements. Inverse spaces of absent reels index cultural memory—misaligned ("crippled") with floor patterns, tiles, wallpaper, stucco, and windows of the 19th-century building. Framed as migrated motifs, they blur national heritage into complex decorative histories.