Amsterdam, 100 % wool
Amsterdam, 100 % wool
Amsterdam, 100 % wool
Amsterdam, 100 % wool
Anseong, 50 % wool / 50% acrylic
Anseong, 50 % wool / 50% acrylic
Anseong, 50 % wool / 50% acrylic
Berlin, 60 % acryl / 40 % cotton
Berlin, 60 % wool / 35 % viscose / 4 % polyester /1% silver
Berlin, 100 % cotton
Brindisi, 58% cotton / 25% linen /17% wool
Dresden, 70 % cotton, 20 % linen, 10 % wool
Dresden, 52 % cotton, 41% wool, 7 % linen
Düsseldorf, 100 % acrylic
Düsseldorf, 100 % acrylic
Düsseldorf, 100 % acrylic
Frankfurt, 50 % acrylic, 28 % cotton, 2 % linen, 10 % nylon, 5 % polyester, 5 % rayon
Frankfurt, 24 % acrylic, 1 % alpaca, 25 % nylon, 40 % polyester, 10 % wool
Frankfurt, 27 % acrylic, 7 % cotton, 3 % linen, 35% nylon, 16 % polyester, 12 % rayon
Hong Kong, 60% acrylic, 28 % nylon, 8 % wool, 4 % mohair
Hong Kong, 60% acrylic, 28 % nylon, 8 % wool, 4 % mohair
Hong Kong, 60% acrylic, 28 % nylon, 8 % wool, 4 % mohair
Hong Kong, 60% acrylic, 28 % nylon, 8 % wool, 4 % mohai
Macao, 50 % polyester, 50 % cotton
Macao, 50 % polyester, 50 % cotton
Seoul, 50 % wool / 50% acrylic
Seoul, 50 % wool / 50% acrylic
Seoul, 50 % wool / 50% acrylic
Seoul, 50 % wool / 50% acrylic
Seoul, 50 % wool / 50% acrylic
Seoul, 100 % cotton
Shenzhen, 57 % acrylic, 33 % cotton, 10 % nylon
Shenzhen, 57 % acrylic, 33 % cotton, 10 % nylon
Studio No 1, 62 % cotton, 8 % mohair, 10 % viscose, 20 % wool
Studio No 1, 62 % cotton, 8 % mohair, 10 % viscose, 20 % wool
Studio No 2, 100 % acrylic
Studio No 2, 100 % acrylic
Studio No 2, 100 % acrylic
Studio No 2, 100 % acrylic
Studio No 2, 100 % acrylic
Passage is a steadily growing collection of machine-knitted fabrics transferred from digital photographs—snapshots made with a mobile phone camera—of urban asphalt from cities where I have lived and worked. In Passage, solid public terrain and damaged public ground convert into intimate private soft structures that play between macro cityscapes and micro textures, repetitively folded and carefully arranged on tables, racks, or floor for exhibition. They manifest as a tangible "walk," presented by one or more performing flâneurs who unfold endless arrays of combinations, overlaps, colors, shapes, and patterns, with audiences receiving only the city name and fiber percentages.
Passage functions as a fluid index and versatile object that oscillates between fashion cloth, archival document, folding map, public ground and private memory. Drifting becomes a visual and haptic exercise in groundlessness and belonging—a micro-perspective on the artist's life across contemporary realities and territories.
The knits were produced at various knitting factories and in collaboration with the TextielLab in the Textielmuseum Tilburg, Upnoon Knit Lab, Seoul, Sabrina Weigt, Berlin
For further readings Sascha Pohle Passage (Berlin) by Susanne Prinz
Fluid Ground, Installation view, Alternative Art Space LOOP, Seoul, 2023
Workplace Sequence, 2022, Seoul (with Juergen Staack, Tim Löhde, Tao G. Vrhovec Sambolec)
Drifts Festival, Passage performed in collaboration with Enna Bae, Windmill, Seoul, 2022
WALK!, exhibition view, Schirn Kunsthalle Frankfurt 2022
video: Flo Maak
photos: Jakob Otter
Passage 2019, Grzegorzki Shows, Berlin, DE
Passage 2018, Home Sequence, Amsterdam, N
Passage 2018, Friendly Patterns, Galerie Bernard Knauss, Frankfurt (with Flo MaaK)
Macao Biennale, Advance and Retreat of Globalization
Macao Biennale, Advance and Retreat of Globalization, 2021
Passage, Grzegorzki Shows, Berlin, 2019
Foldings
photos by: Roman März,Flo Maak, Sascha Pohle
Friendly Patterns, in collaboration with Flo Maak, Space One, Seoul, 2016
Details
Detail of Passage (Macao 50% cotton, 50% polyester) on the cover of the Walk! exhibition catalogue, Schirn Kunsthalle Frankfurt.
Passage, Grzegorozki Shows, 2019, Berlin