FLUID GROUND
2023
On the exhibition Fluid Ground, Alternative Art Space LOOP, 2023
by Sascha Pohle
Surface Structures: Memory,Mimicry, and the Non-Archive
On ATTACHMENTS, ORNAMENTS OF PROPERTY and PASSAGE
2022
by Alena Alexandrova
Sascha Pohle Passage (Berlin)
On PASSAGE, Grzegorzki Shows, 2019
2022
by Susanne Prinz
Blood Brothers
On GERMAN INDIAN
2022
by John C. Welchman
The Conceptual Artist and The Copyist Painter
On REFRAMING THE ARTIST
2022
by Winnie Won Yin Wong
“Who was there before me?”
On STUDIO INDEX
2022
by Vanessa van 't Hoogt
Facelifts
On ATTACHMENTS
2022
by Arnisa Zeqo
Home Sequence
On HOME SEQUENCE Amsterdam
2022
by Alena Alexandrova
Zuhause, nicht zu Hause, Ein Brief aus Seoul, 2014
non edited version, written on the occasion for a contribution in Some Magazine, Home, University of Art and Design Halle, 2014
2023
by Sascha Pohle
i can swim home
On THE SWIMMER and SAFETY HOUR
2022
by Jochen Volz
Statues also die
On STATUES ALSO DIE and CRIPPLED SYMMETRY
2022
by Regina Barunke
The Mad Masters
On THE MAD MASTERS
2022
by Anawana Haloba
Noire et Blanche
On NOIRE ET BLANCHE
2022
by Jiyoon Yang
Entrance through the Back Door
On the exhibition Home Sequence, 2015 at Rongwrong, Amsterdam, published in Metropolis M
2022
by Weronika Trojanska
Self-reflexive Aesthetics of Doubling
On THE MAD MASTERS and If I were you - LAS VEGAS NEW YORK BLACKPOOL
2022
by Gerald Bär
Lothringer
On the occasion of the exhibition at Lothringer 13 Halle, 2012
2022
by Felix Ruhöfer